This achievement flourished in part because of the specific transitions England underwent in the period. If not the shaper of poetry in the first half of the century, Donne stands at least as its representative poet, while Dryden, born only a few months after Donne died inprobably has an even more secure claim to the same position in the final decades of the century.
Also, Poly-Olbion had no successors: Anglicanism, church ritual and ornament vs. For such a conception of the period is not only misleading, but radically inaccurate when one considers the extent to which these poets share integral forms, features, concerns, and even addressees.
The distinctive differences between the writings of the two men testify to the diversity of seventeenth century poetry and to the likelihood that powerful forces for change were at work in the interim.
The differences are apparent even when—perhaps particularly when—roughly similar types of poems and parallels between the two are inevitably rough are chosen. The frontispiece appears to represent a peaceful, prosperous, triumphant Britain, with England, Scotland, and Wales united, patriarchy and monarchy firmly established, and the nation serving as the great theme for lofty literary celebration.
It is Albion herself, not King James, who is seated in the center holding the emblems of sovereignty; her male conquerors stand to the side, and their smaller size and their number suggest something unstable in monarchy and patriarchy.
But poems, it must be said, do not undertake anything poets do. Politics and genre the two terms that best represent this next concern are historically entwined in every period, but especially so in a period in which the education of the young depends so heavily upon the study of rhetoric.
These categories of necessity will be even broader in conception, more inclusive, which itself strikes me as a move toward better understanding the period in its own terms.
The third topic, "Civil Wars of Ideas: Ships on the horizon signify exploration, trade, and garnering the riches of the sea.
Yet this frontispiece also registers some of the tensions, conflicts, and redefinitions evident in the literature of the period and explored more directly in the topics and texts in this portion of the NTO Web site. In many ways, this process was the most distinguishing feature of the age, producing the conditions in which its greatest poets flourished.
Indeed, the poets who communicate by means of genres have intentions, and these intentions are historical events, just as the occasions for which they are written are historical events.
The institutions upon which the society rested were challenged, which led to unprecedented opportunity for experiment in politics as in poetry. Clearly, great poets do not always shape the literature of their century, as the cases of the twin giants of seventeenth century England, William Shakespeare and John Milton, indicate.
Thus a century brimming with good poetry may be said to begin with Donne and end with Dryden. What Ben Jonson wrote of Shakespeare is true of both: The first theoretical concern, broadly conceived, is represented by the dyad structure and epistemology.
This is not, however, to conform to the older conceptions of "Cavalier" and "Metaphysical," to the schools of Donne and Jonson. In the four corners stand four conquerors whose descendants ruled over Britain: These include royal absolutism vs.Senior Essay Program. Completed Senior Essays; Writing Prizes; the poetry of seventeenth century England is majestically topical, although staunchly resistant to exclusively topical interpretation.
But poems, it must be said, do not undertake anything poets do. Literary Theory and Seventeenth Century English Poetry (Chicago: U of. Free Essay: Free Blacks in the Seventeenth Century In the early sixteen-hundreds there were nearly equal opportunities for blacks and whites in the New.
A comprehensive guide to English literature of the late Renaissance and Early 17th Century. Contains dozens of authors and hundreds of pages, including the biographies and works of John Donne, Francis Bacon, Ben.
EN Seventeenth Century: The First Modern Age of English Literature. Skip to main content. Text only; Sign in; Study; The First Modern Age of English Literature Convenor: Dr John West 1 x word summative essay due early in Term 2 to be written in response to themes and texts from Term 1.
Submitted through Tabula. Reading Pseudonyms in Seventeenth-century English Coterie Literature - Margaret J.M. Ezell The Pleasures of Restraint: The Mean of Coyness in Cavalier Poetry - Joshua Scodel The Sapphic-Platonics of Katherine Philips, - Harriette Andreadis.
Financial Support of the 17th Century English Theater Essay - This paper will explore in mostly chronological order the financial escapades of theater in England during the 17th century. During the reign of James I and Charles I the theatre flourished gaining most of its support from nobility.
- Mercantilism Economics in the seventeenth and.Download